GUWAHATI, July 28, 2025: Renowned academician and designer of the Indian Rupee symbol— Dr. Udaya Kumar Dharmalingam, Professor, Department of
Design, IIT Guwahati has been proudly hosted by The Assam Royal Global University (RGU) for an enriching interactive
session on Saturday, July 26, 2025. The event was organized by RGU in collaboration with the Internal Quality Assurance
Cell.
Present during the session were Prof. Diganta Munshi, Registrar (Administration); Prof. D.N. Singh, Registrar
(Academics); faculty members; and students from the Royal School of Fashion Design & Technology, Royal School of Design,
Royal School of Architecture, Royal School of Engineering & Technology, and Royal School of Fine Arts.
While addressing the students, Dr. Dharmalingam shared insights from his journey as a designer and academic. He
explained that his PhD research focused on Indian typography, an area with limited academic exploration. “Indian
typography largely exists in the form of script but lacks structured academic study. There’s immense scope to develop
it, especially in regions like Assam,” he stated, encouraging students to undertake research and creative development in
local typography.
Recounting the process behind designing the Indian Rupee symbol, Dr. Dharmalingam revealed that the Government of India
had launched a nationwide competition with clear guidelines—the symbol had to reflect India's culture, tradition,
diversity, and ethos of equality and harmony. “The idea was entirely mine, but I took feedback to ensure nothing was
overlooked,” he noted, emphasizing the importance of idea-sharing in the creative process.
He encouraged students not to be overly secretive about their ideas for fear of imitation. “Have confidence in your
work. Sharing helps refine your concepts. People may copy, but what’s original will always stand out,” he said.
Highlighting the significance of observation and continuous learning, Dr. Dharmalingam advised budding designers to read
extensively, stay curious, and practice their craft consistently. “Observation is key to creativity. Mobile phones and
social media can be major distractions—I don’t use WhatsApp or social platforms myself,” he remarked.
Giving a practical example of typography’s presence in everyday life, he pointed to highway signage designs and stressed
how design permeates all aspects of society.
The session proved to be an inspiring and eye-opening experience for the students, offering them a rare opportunity to
engage with one of the most celebrated design minds of India and gain valuable perspectives on creativity, innovation,
and purpose-driven design.